There is always “burn” here now.

There is always “burn” here now.

Door knobs burn in my hand as I turn them, so I leave the inside ones open. Even the floor burns the bottoms of my feet, so: shoes, but they burn also. These words too, all words, whether I think or say or read them, they all burn now. Sometimes./

To hear them, these ones here, spoken aloud in this room today — w/ no one aside from me listening, no music playing, nothing baking — to hear them without burning, what I would give for that! To be back there, here but back then, in my dream of life again, where it was plenty warm enough, what I would give./

There were times I’d think I must have come from there to here through someplace really cold. I’d think, could I have died that day? That day I “wakened” to the smell of all my pies burning and you knocking as loud as you could on the door. “What’s burning? Are you okay? What’s going on with your hair?”/

We threw the pies into the garden, laughing. You cut my hair in the kitchen to help fix me back up as we aired the place out. “What happened, though? Did you fall asleep? Since when do you bake pies and for what?” I opened you some wine and we spent the rest of the day together./

But I watched the pies slowly disappear alone. It took weeks and then one downpour finally carried the rest away./

Today, I know I came through someplace really cold to get here. Why else, how else, could touching these now — these plastic keys — burn me so? So that the plainest words/thoughts, uttered as plainly as I can manage, are birds barely escaping a flame and then at the very last second returning or just stopping, letting it happen, letting it wrap them and hold them in its hot hands until they turn to ash?/

There is always “burn” here, but I’ve begun to wonder if it might be okay for a time./

After all, crying now is like climbing a tree—but on another planet. Crying: Why? How? It doesn’t happen here, I don’t think, but I’m not completely sure (having learned about evaporation so long ago). I do know it’s not okay not to cry ever./

I know too that today nothing is baking, no music is playing, and no one knocks or doesn’t knock at the door. And I know I didn’t die that day. I am being still and quiet, no more words aloud for now, dreaming of when I was “just warm enough” and wishing I could cry, here or on some other planet, any planet (except Mercury, Venus)./

And yet. Even though these words, my memories, the door, the floor, the bottoms of me feet — ALL of it burns, all of it is burning me — I begin to think it could all turn out all right, that one day I will be just warm enough again.

***

THIS is a repost, thanks. I’ve been gone from here for SIX long months. I consider it a bit of providence that I log back in tonight, after several days (weeks? months?) of thinking about this blog AND THIS POEM especially, and find that BURN is the one-word daily prompt. Today. When I log back in … But so, I have nothing new here now, I don’t think, am exhausted, but I jump back in to this — everything — holding the hand of my 47-year-old self from two years ago. I trust no one more.

https://dailypost.wordpress.com/prompts/burn/

https://wordpress.com/post/lourdesmint.wordpress.com/678

 

 

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Plena sen mu vokaroop.

Plena sen mu vokaroop. This, I say, will make things right.

Noop rang jolzee roo-roo-roo, vokarooop! (One time tonight.)

Then: yipper sen, yipper sen, under, ender — pah-tippy sen.

But tippy roonish plena mu, plena mu sen, plena mu!!!!

Vokaroop, tippy? Jolzee roo? Yes, yes, yes (and everyone knew).

Noop, jolzee, yipper: roo-roo-roo. It’s sad, but true and better too.

Plena sen mu vokaroop. I tell you: it’ll make things right.

Plena sen mu vokaroop. This is all we’ll do tonight.

If you can read this, online, you’re a minority — but you knew that

Even though more than 80% of the world’s reading-age population can read, less than half are internet users. Now some of these non-users may be babies or Luddites or what have you, but I think it’s safe to say that the feeling of THIS being a way of connecting with the rest of the world is one that many of us don’t share.

Africa represents less than 10% of the world’s internet users, as does N. America, surprisingly —  but that’s because of the enormous population of Africa (as well as of Asia) in comparison to N. America.

In N. America, though, about 9 of 10 of the pop are internet users versus about 3 of 10 in Africa, 4 of 10 in Asia, 5 of 10 in Middle Eastern and Latin American/Caribbean countries, and 7 of 10  in other western/European countries.

What are all of those offline others doing? Well, I guess they are living life, as we are, watching the weather, loving their babies, talking with friends about the future, helping one another through crises, etc. But how do they know whether they’re funny, clever, talented … or how many friends (or followers) they have? What/whom do they turn to for definitive answers to some of life’s most pressing questions or even the basic day-to-day conundrums? Where do they find out what’s worth reading … or even what they really want, think, and believe? How do they know who they truly are or which boots are best bets for this winter? How can they be sure they’re getting the sweetest deal on their hotel room for summer vacation?

At the end of the day, maybe the answers to all or most of these questions, for those seeking them in whatever manner, are essentially the same — in terms of the range of their validity. There’s so much we can never be sure of, so many questions with no simple answers. But what a bang-up job the internet does of helping us to forget (or at least buffering us from) the fundamental uncertainties of life! How many times have I come here feeling tired, hungry, and poor and left feeling better — that I know more, that I belong after all, and that I need not flail about or mess around with […] a moment longer. (I’ve had the opposite experience also, plenty, but that’s not important now.) TV works too, as does reading books or dancing like a wild thing all night long, and pretty much anything else that helps you escape the gray area between your ears for a while, but the internet works BEST — I think — for many of us. And that’s because it seems to say, so consistently and convincingly, in so, so, soooooo many words (and pictures and videos too), “Good news! Uncertainty is over! Everything you seek, wonder about, or need to know is HERE!” —  for almost half of us anyway. And it’s good to get a break from the gray. Very good.

What do those others do?

Later/this morning: I woke with this post still in my head. I went to sleep last night feeling that I didn’t totally know what my point was here, but I decided to post it anyway. The rules of my blog seem to change along with my “is-it-ready-to-post?” criteria (playing games with our seven-year-old, just living with him and “the baby” [now an 18-month-old], just living — all have softened [I’ll just say] whatever rigidity [I’ll just say] I had in such areas).

But anyway, here I am, and back to that final line: What do the others do? An answer is that, same as in the online world, some find other good ways of escaping the gray, some are naturally inclined or learn to “sit with” it (to let it be), and others are very adept at sorting that gray into black or white, yes or no, stop or go, right or wrong, etc. — others EVERYWHERE, including in that parallel [?] offline universe where different stories are spun from the information that’s most accessible, spun and shared, taking hold. But what is my point? Maybe I don’t know/understand enough about the world to make it, but I think it’s something like this: that if you are reading this, anything, online, you are privileged in a way that most of the world is not AND that none of us truly has exactly what we think we have or can truly have what we’d like to have (not security, certainty, inviolable protection of our basic rights, a bond with the rest of humanity, etc.) until we all have a shot at having it.

Daily prompt response: Problems with Styrofoam and Another Advice Column Reject

In response to The Daily Post’s writing prompt: “Connect the Dots.” Scour the news for an entirely uninteresting story [or make one up?]. Consider how it connects to your life. Write about that.

Dear Abby,

I know this is probably not a huge deal, but on the off chance that someone else has the same problem and suffers mainly because it can be so inexplicably distressing, I figured I’d write. You know how those Styrofoam peanuts can’t be recycled so you have to get them out of the box your extra fragile purchase was packed in, bag them, and throw them away separately — with the rest of the garbage? Well, every single time I do this, and I do mean EVERY SINGLE TIME, I’m extra careful to pull the bag into which I’m emptying the peanuts all the way around the box, all four corners, before I even attempt the transfer because I always seem to end up making a mess. But still, no matter how careful I am, an estimated 40 to 60% of the peanuts end up outside of the bag and I have to round them up by hand (“like herding cats” because of the static electricity) and bag them by the handful. Do you know how long that takes?

So I just want to know WHY? Is that too much to ask?

I don’t know whether it’s just the static electricity or there’s some other scientific explanation for why this CANNOT work as it seems it should, but I’m way beyond annoyed now and actually starting to get concerned. Thinking about it now, I guess the real basis of my concern is whether it’s normal to have so much trouble with Styrofoam or whether something else could be going on? I mean, do you think there’s some underlying issue I’m not addressing here? Or maybe even larger forces at work, whose presence and significance I’m missing?

Up to my neck in peanuts, LM

 

Dear Abby,

I’m supposed to be working on my novel now …I have so precious little time and I’ve entered into a contest or rather a challenge to help keep me going: NaNoWriMo. You may have heard of it? Anyway instead or working on my novel, I’ve been unpacking valuables (I use that term very loosely) that we have no place for yet (we moved recently and not all of our furniture is here …). Although I’m having a bit of trouble with the Styrofoam peanuts, as I wrote you about separately, I am not having trouble with writer’s block. In fact, really I’m having almost the opposite problem. I start working on my novel and the next thing I know, hours have disappeared and I have no idea what, where, who, etc. But see I can’t have disappearing hours, no idea, no — I have children, a family. But here I am with a discrete, necessarily limited, beautiful little chunk of time set aside just for the novel and instead I write you … and only “for pretend,” no less, in a blog amid a sea of blogs that connects to an ocean of blogs that connects to a bunch of other seas and oceans of blogs.

So I just want to know WHY? Is that too much to ask?

I don’t know whether it’s just the static electricity (for lack of a better word [FLBW])  or there’s some other scientific explanation for why this CANNOT work as it seems it should, but I’m way beyond annoyed now and actually starting to get concerned. Thinking about it now, I guess the real basis of my concern is whether it’s normal to have so much trouble with Styrofoam (FLBW) or whether something else could be going on? I mean, do you think there’s some underlying issue I’m not addressing here? Or maybe even larger forces at work, whose presence and significance I’m missing?

Up to my neck in peanuts (FLBW), LM

p.s. For our listening enjoyment: https://www.youtube.com/watch?v=EI7OUQbE65g

“go alone — crawl, stumble, stagger — but go alone”

“You must be Independent, Independent, Independent –— don’t talk so much but do more — go your own way and let your neighbour go his… Shake off all the props — the props tradition and authority give you and go alone — crawl, stumble, stagger — but go alone.”

~ Charles Rennie Mackintosh

Independent, YES, for sure! (Original would be nice too, but is not necessary. I mention it because I think people often confuse independence with originality, which can be a real problem for their creativity and productivity, but maybe that’s a post for another day.) Neighbors — oh, there are many I’d gladly follow home. Don’t think I have too many props to shake off, but am willing to crawl, etc., if needed. BUT I love this guy’s designs (behold one iteration of his famous rose) … just not 100% sure about his ideas.

More to the point of this post: writing can be lonely, not for the bloggiest of bloggers maybe, but for lots of the rest of us. So, just so I can connect (or in hopes of connecting … even if I don’t know it’s happened), I am giving myself permission to quote other people liberally here in my blog or provide links to whatever, anything I feel like doing this month (so pretty much like every other month!), as I work to put out 1700+ words per day for NaNoWriMo.

It’s Day 2 and I’ve done 2,345 words (not bad, the quantity I mean), but my narrative point of view is shifting all over the place and not in a clever way. Plus my tenses are sliding, willy nilly, forward and backward and off to the side (though that’s typical for me because sometimes I do feel like past, present, future, etc., are all here in the same place at the same time). Also, even though every 50 words or so come easy, these are followed by hundreds that feel like I am punching myself in the face or, no: trying to put on clothes that are a few sizes too small … and wet and itchy too. I’m haunted about how little I feel I know about the world, how my seven-year-old referred to me as “odd” today, how my main character is male again (and apparently has two interchangeable names). I’m also bothered that I can’t picture him clearly yet, but I can see what he sees, feel what he feels, etc.

I’m thinking, he could look like this:

(This is a young[er] Tom Brosseau and here’s a song of his: https://www.youtube.com/watch?v=5vcWe–L7AM)

OR he might look like this:

(The is the young, late Vic Chesnutt and one of his tunes: https://www.youtube.com/watch?v=f2KyL1MlqW0)

No surprise that I’m conjuring the images of song writers I greatly admire to help embody my protagonist. No surprise, but no explanation (now) either. In the end, it doesn’t really matter who I’m picturing anyway, I just need to see his face. And I can’t yet.

On the bright side, whatever he turns out looking like, I like him a lot so far and that’s helpful because I will be meeting with Nohl/Ben every day (or as often as I can) until we get his story done.

 

Today I begin “I Brought You Back”

What would you do if you had a gift or ability that you weren’t entirely comfortable with? (What DO you do?) And what if this ability might be considered inhuman, impossible … supernatural, even? And you used your “gift” sometimes but not others, for reasons you couldn’t always understand or explain, and the consequences of your actions were more often than not completely different from what you expected: sometimes just so clearly WRONG; other times, though, wondrous, unambiguously RIGHT — restoring necessary joy and goodness to the people you love, the world, all and everything? (But sometimes, don’t forget, sometimes: wrong, wrong, wrong … ?) What would you do?

“Quit doing it and let time pass, let all kinds of time pass.” This is my main character Nohl’s solution as the story/novel starts — that and to get as far away as possible from the mess he feels he’s created, cut his few ties with the past, etc., but NOT before telling EVERYTHING to someone he can barely call “friend” nor before doing his thing one last time.

The novel will follow one person’s complicated, lonesome relationship with his gift, each time he’s used it and how it “worked out,” ending with his decision about how to move forward … and an opportunity, with someone he now considers a true friend, to put that decision to the test.

This is the spark for the novel I’ll be working on this month (through NaNoWriMo). I’m being perhaps irritatingly mysterious/vague re: the gift because I don’t think it’s really what the story’s about, but I’m also afraid that mere mention of the word that best describes the gift would put an END to some things that I need, now. (More vagaries, sorry…)  Really, the gift could be any ability or talent that a person might have and feel ambivalent about and unclear on how, whether, why to develop it — unsure about whether it’s a good or bad thing. My writing this novel represents my decision to embrace a gift I’m not sure how I feel about … and not even sure I have. And I’m going to draw some pictures (or create some kind of visuals) to go with it, I think — also maybe a recording. Here goes!